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Liverpool Street Gallery
243a Liverpool Street
East Sydney 2010
Australia
tel: +61 2 8353 7799     fax: +61 2 8353 7798
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Denise GREEN biography | artworks | events

Born 1946 Melbourne, Australia
Lives and works in New York
Education 1966-69 École Nationale Supérieure des Beaux-Arts, Paris
1969
University de Paris, La Sorbonne
1976
Hunter College, New York, Master of Fine Art
Awards 2007 Order of Australia

Selected Solo Exhibitions

2010
Beyond Richter, Liverpool Street Gallery, Sydney
Wonder and Evanescence, Sundaram Tagore Gallery, New York
2009
Evanescence, Tarrawarra Museum of Art, Victoria
A line is never just a Line. Indian Papers, Roses and Grids, Galerie Cora Hoelzl,
Dusseldorf
Charles Nodrum Gallery, Melbourne
2008
Denise Green: Out West, The John Curtin Gallery, Curtin University of
Technology, Perth
Denise Green: Then and Now, Liverpool Street Gallery, Sydney
Goddard de Fiddes Gallery, Perth
2007 “Weh Dem, Der Symbole Sieht!” Galerie Heike Curtze, Berlin
Magischer Tausch, Galerie Cora Hölzl, Dusseldorf
2006
Denise Green: A Retrospective, Museum Kurhaus Kleve, Germany
Christine Abrahams Gallery, Melbourne
Internacional de Arte Contemporáneo ARCO, (Galerie Heike Curtze), Madrid
2005
University Art Museum, University of Queensland, Brisbane
Ink Figures, Galerie Heike Curtze, Vienna
Annandale Galleries, Sydney
Schubert Galleries, Main Beach, Queensland
Paper, Hunt Gallery, Webster University, St. Louis
2004
Galerie Marlies Hanstein, Saarbrϋcken, Germany
Museum des Landkreises Saarlouis fur Vor- Und Fruhgeschichte,
Dillingen-Pachten, Germany
2003
Affinities with Joseph Beuys. Before and After September 11.
2004
A Retrospective, Saarland Museum, Saarbrϋcken, Germany
Christine Abrahams Gallery, Melbourne
2002
Consulate General of the Federal Republic of Germany, New York
2001
Next Wave Festival, Brooklyn Academy of Music, New York
A 25 Year Survey, Brisbane City Gallery, Brisbane;
toured to Art Gallery Of New South Wales, Sydney.
Sherman Galleries Goodhope, Sydney
Bentley Gallery, Scottsdale, Arizona
2000-2001
Paintings And Works on Paper 1975-2000; National Gallery of Contemporary Art,
Zacheta, Warsaw; toured to Ludwig Museum of Contemporary Art, Budapest;
Stadthaus Klagenfurt, Alpen-Adria Galerie, Klagenfurt, Austria
2000
Works On Paper: 1976 - 1999, Cummings Art Center,
Connecticut College, New London
Christine Abrahams Gallery, Melbourne
1999-2000
Paintings 1972-1999, P.S.1 Contemporary Art Center/Museum of Modern Art,
New York. Traveled to Arizona State University Art Museum, Tempe, Arizona
and Lyman Allyn Art Museum, New London, Connecticut
1999 Sherman Galleries Goodhope, Sydney
Galerie Asbaek, Copenhagen
1998-2000
Works On Paper 1972-1998, Wollongong City Gallery;
toured to Geraldton City Gallery; Bunbury Regional Art Gallery;
Geelong Regional Art Gallery; Albury Regional Art Gallery
1997
Christine Abrahams Gallery, Melbourne
1996
NAP Exhibition Space, Kutztown, Pennsylvania
1995
Peter Bellas Gallery, Brisbane
1994
Barbara Scott Gallery, Bay Harbor Island, Florida
Peter Bellas Gallery, Brisbane
Christine Abrahams Gallery, Melbourne
Raab Galerie, Berlin
1992
Roslyn Oxley9 Gallery, Sydney
1991
Delaney Galleries, Perth
Peter Bellas Gallery, Brisbane
Christine Abrahams Gallery, Melbourne
1989
Roslyn Oxley9 Gallery, Sydney
Christine Abrahams Gallery, Melbourne
1988
Eight Year Survey 1980-88, University Gallery,
University of Melbourne, Melbourne
Althea Viafora Gallery, New York
Roslyn Oxley9 Gallery, Sydney
Christine Abrahams Gallery, Melbourne
1987
Gallery of Contemporary Art, Ahmedabad, India
New Papers: India Work, Althea Viafora Gallery, New York
Christine Abrahams Gallery, Melbourne
1986
M13 Gallery, New York
Anand Sarabhai Studio, Ahmedabad, India
Galerie Albert Baronian, Brussels
Language And Impulse, Althea Viafora Gallery, New York (January)
Visual Dialogue, Althea Viafora Gallery, New York (November)
Roslyn Oxley9 Gallery, Sydney
Christine Abrahams Gallery, Melbourne
1985
Roslyn Oxley9 Gallery, Sydney
Christine Abrahams Gallery, Melbourne
Ten Year Survey 1975-85, Center for the Arts, Muhlenberg College,
Allentown, Pennsylvania
1984
Exposition: Denise Green, Ville de Liege Musee d’Art Moderne, Liege, Belgium
1983
Christine Abrahams Gallery
Gallery A, Sydney
1982
Axiom Gallery, Melbourne
Mulvane Art Center, Washburn University, Topeka, Kansas
Gallery A, Sydney
Ado Gallery, Bonheiden, Belgium
1981
Paintings, Institute for Art and Urban Resources at The Clocktower, New York
Gloria Luria Gallery, Bay Harbor, Florida
Striped: a Performance with Elizabeth Sacre. Franklin Furnace, New York
Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia
1980
Project Show, Art Gallery of New South Wales, Sydney
Galerie Albert Baronian, Brussels
Paintings and Drawings, Protetch-Mcintosh Gallery, Washington D.C.
Ellipses, Okun-Thomas Gallery, St. Louis
Ellipses, Max Protetch Gallery, New York
1978 Max Protetch Gallery, New York
1977
20 Recent Drawings, Institute of Modern Art, Brisbane
Max Protetch Gallery, Washington D.C.
Coventry Gallery, Sydney
School of Art Gallery, Royal Melbourne Institute of Technology, Melbourne
1976
 Max Protetch Gallery, New York
1975
Whitney Museum Art Resources Center, New York
Ray Hughes Gallery, Brisbane
Hogarth Galleries, Sydney
1972
98 Greene Street, New York

Selected Group Exhibitions
2009
Here and Now, Sundaram Tagore Gallery, New York
Abstraction 8, Charles Nodrum Gallery, Melbourne
A line is never just a line: Indian Papers, Roses and Grids, Galerie Cora Hölzl,
Düsseldorf, Germany
Adventures in Collecting: Gems from the Reg and Sally Richardson Collection, National
Art School, Sydney
Summer Exhibition, Liverpool Street Gallery, Sydney
2008
Art Karlsruhe 2008, Galerie Cora Hoelzl booth, Karlsruhe, Germany
When you think about Art, George Paton Gallery, University of Melbourne, Melbourne
Melbourne Art Fair, (Liverpool Street Gallery), Melbourne
2007
Summer Exhibition, Liverpool Street Gallery, Sydney
Cornice Art Fair, (Galerie Heike Curtze), Venice
‘Revue – 10 Jahre Museum Kurhaus Kleve,’ Museum Kurhaus Kleve, Germany
Viennafair International Art Fair, (Galerie Heike Curtze), Vienna
Marks from The Matrix: Collaborative Limited Edition Prints 1976-2006, Normal Editions
Workshop, University Galleries, Illinois State University, Normal, Illinois
2006
The Salon, Dick Betts Gallery, Hobart
Sixth Drawing Biennale, Drill Hall Gallery, Australian National University, Canberra
Summer Exhibition, Liverpool Street Gallery, Sydney
2005
The Christian Community, Melbourne
Drawings by the Faculty, Pennsylvania Academy of the Fine Arts, Philadelphia
2004
Acquisitions 2003-2004, Newcastle Region Art Gallery, Newcastle
2003
The Return of Beauty, Kristen Frederickson Contemporary Art, New York
2001
Tribeca Temporary, New York
Invitational, Parkland Art Gallery, Champaign, Illinois
2001
1999-2001 Acquisitions, Newcastle Region Art Gallery, Newcastle
Recent Acquisitions, Wollongong City Gallery, Wollongong
Sherman Galleries, Sydney
2000
Asbaek Galerie, Copenhagen
Sherman Galleries, Sydney
1999-2000
New Acquisitions, Newcastle Region Art Gallery, Newcastle
1999
Visy Board Art Prize, Richmond Grove Winery, Tanunda, South Australia
1998
Gold Coast City Conrad Jupiters Art Prize, Gold Coast City Art Gallery, Queensland
The Mécénat Collection, Sherman Galleries, Sydney
Landfall Press: 25 Years of Printmaking, Davenport Museum of Art, Davenport, Iowa
1997
Sherman Galleries, Sydney
International Print Exhibition, Portland Art Museum, Portland, Oregon
Landfall Press: 25 Years of Printmaking, Chicago Cultural Center, Chicago
The Appeal of Handmade Paper, Gallery in the Champion Lobby, Stamford, Connecticut
Za Moca Gallery, Tokyo
Painting Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia
1996
Landfall Press: 25 Years of Printmaking, Milwaukee Art Museum, Wisconsin
Raab Gallery, Berlin
1995
A Woman's View, World Bank, Washington D.C.
Northern Light, Raab Galerie at the Cologne Art Fair, Cologne
1994 Landscape Works By Women Artists, Bryn Mawr College, Bryn Mawr, Pennsylvania
Raab Galerie, Berlin
1993
 The Black Show, Geelong Art Gallery, Geelong; toured to Nolan Gallery, Lanyon; Orange
Regional Gallery; Waverley City Gallery; Latrobe Regional Gallery, Morwell
Raab Galerie Berlin
Galerie Arte & Altri, Milan
1992
Galerie Artline, The Hague
Slow Art. Painting in New York Now, P.S.1 Museum, New York
1991
Geometric Perspectives, Art Lending Service, Museum of Modern Art, New York
1990
No Trends, Nahan Contemporary Gallery, New York
New Approaches to Abstract Art, Tower Fine Arts Gallery, Brockport State University,
New York
Balance 1990: Views, Visions, Influences, Queensland Art Gallery, Brisbane
Campus Collections, Ivan Dougherty Gallery, Sydney
1989
Landfall at the Aspen Museum, Aspen Museum, Aspen Colorado
Evolutions, Art Gallery of Western Australia, Perth
1988
Seventeen Years at the Barn, Rosa Esman Gallery, New York
Nature In Art, One Penn Plaza, New York
The Cocktail Party, Roslyn Oxley9 Gallery, Sydney
Ideas from Individual Impressions and Marks: Prints of Non Printmakers, Lehigh
University Art Gallery, Bethlehem, Pennsylvania
1987
A Decade of Emerging Artists: Selections from the Exxon Series, Solomon R.
Guggenheim Museum, New York
Still Life, Medium of Modern Art, Art Lending Service, Museum of Modern Art, New York
Dwellings, Althea Viafora Gallery, New York
Backlash-the Australian Drawing Revival, National Gallery of Victoria, Melbourne
Chaos, Roslyn Oxley9 Gallery, Sydney
1986
From Icon to Symbol: Imagery in American Art 1973-79, Blum Helman Warehouse, New
York
Althea Viafora Gallery, New York
Spirit Tracks: New Abstract Drawing, Pratt Institute Gallery, New York
Surface for Reflection, Art Gallery of New South Wales, Sydney; toured to New England
Regional Art Museum, Armidale; Newcastle Region Art Gallery; Orange Regional Gallery;
Wollongong City Gallery; Bathurst Regional Art Gallery; Albury Regional Art Gallery.
Resistant Spirit, Roslyn Oxley9 Gallery, Sydney
Big Abstract Drawings, Hogarth Galleries, Sydney
Window on Australian Contemporary Art, Art Gallery of Queensland, Brisbane; toured to
the Museum of Modern Art, Saitama, Japan
1985
Ten Years Of Activity: 1974-84, Centre International D'experimentation Artistique Marie-
Louise Jeanneret, Boissano, Italy
Women Artists at the Palladium, Palladium, New York
What’s Up…Down Under, Limelight, New York
Paul Cava Gallery, Philadelphia
Barbara Toll Gallery, New York
Invitational Art Purchase Exhibition, University of New South Wales, Sydney
Queensland Works, University Art Museum, University of Queensland, Brisbane
Abstract Painting as Surface and Object, Hillwood Art Gallery, Long Island University,
Long Island
1984
Content: A Contemporary Focus, Hirshhorn Museum, Washington D.C.
Untitled, 1984, Max Protetch Gallery, New York
Group Show, Galerie Garces Vylazquez, Bogota, Columbia
Drawing with Respect to Painting, New York Studio School, New York
Timeline, organised by Group Material, P.S.1. Museum, New York
Invitational Group Show, O.K. Harris Gallery, New York
Susan Montezinos Gallery, Philadelphia
1983 Painting and Sculpture, Max Protetch Gallery, New York
Acquisitions 1973-83, University Art Museum, University of Queensland, Brisbane
Extra Critical Role, Gabrielle Byers Gallery, New York
Taste, Place and Transition, Ivan Dougherty Gallery, City Art Institute, Sydney
1982
Women Artists – Group Exhibition, Gallery A, Sydney
Brown Invitational, Brown University, Providence, Rhode Island
Mulvane Art Center, Washburn University, Topeka, Kansas
Currents in the 80s, University of South Florida, Tampa
Tyler Visiting Artists 82-83, Tyler School of Art of Temple University, Philadelphia
Figuration and Configuration, Okun-Thomas Gallery, St. Louis
Artists from the Edward F. Albee Foundation, Guild Hall, Easthampton, New York
New American Painters, John C. Stoller Gallery, Minneapolis, Minnesota
Art in the Age of Mechanical Reproduction, George Paton Gallery, Melbourne University, Melbourne
Contemporary Still Lives, touring exhibition organised by Art Lending Service, Museum of Modern Art, New York
1981
A Painting Show, Marianne Deson Gallery, Chicago
Contemporary Drawings, University of California, Santa Barbara
Currents: A New Mannerism, University of South Florida, Tampa
Quick and Dirty, Herron Gallery, Indiana University, Indianapolis
New Art II: Surfaces/Textures, Museum of Modern Art, New York
Australia Perspecta '81, Art Gallery of New South Wales, Sydney
A Range of Contemporary Drawings, Sordoni Art Gallery, Wilkes College, Pennsylvania
Small Works, Art Latitude Gallery, New York
Arabia Felix, Art Galaxy, New York
Drawing Selection, William Patterson College, Wayne, New Jersey
Currents, Trends for the '80's, Jacksonville Art Museum, Jacksonville
Works On Paper, Weatherspoon Art Gallery, University of North Carolina,
Greensboro, North Carolina
Galerie Maier-Hahn, Dusseldorf
Drawing Invitational, Harm Bouchaert Gallery, New York
1980
Okun-Thomas Gallery, St. Louis
Drawings of a Different Nature, Portland Center for Visual Arts, Portland
Painting and Sculpture Show, Indianapolis Museum of Art, Indianapolis
New NY on Paper, Douglas Drake Gallery, Kansas City
Max Protetch Gallery, New York
The Image Transformed, Art Latitude Gallery, New York
Still Life Today, Goddard-Riverside Community Center, New York; toured to Michael C.
Rockefeller Arts Center Gallery, Fredonia, NY; Tyler Fine Arts Gallery, Oswego, NY; Root
Art Center, Clinton, NY; College of St. Rose Art Gallery, Albany, NY; Skidmore College
Art Gallery, Saratoga Springs, NY; Hudson River Museum, Yonkers, NY; Prendergast
Library Association, Jamestown, NY
1979 Art On Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro,
North Carolina
24" x 24", Max Hutchinson Gallery, New York
Work On Paper, Max Protetch Gallery, New York
Small Is Beautiful, Freedman Gallery, Albright College, Reading, Pennsylvania; toured to
Center Gallery, Bucknell University, Lewisburg, Pennsylvania
1978
Young American Artists: 1978 Exxon National Exhibition, Solomon R. Guggenheim
Museum, New York
Disengi, Bonoma Diffusione Arte, Bari, Italy
New Image Painting, Whitney Museum of American Art, New York
The Minimal Image, Protetch-Mcintosh Gallery, Washington D.C.
The $100 Gallery, New York
1977
The Painting Show, P.S.1. Contemporary Art Center, New York
24" x 24", Sarah Lawrence College, Bronxville, New York
Works and Projects of the Seventies, P.S.1. New York
1975 Holly Solomon Gallery, New York
Protetch-Mcintosh Gallery, Washington D.C.
1974
Contemporary Reflections, Aldrich Museum of Contemporary Art, Ridgefield, New York
Inside-Outside, Women's Interart Center, New York
Recent Acquisitions of the Power Bequest, Art Gallery of New South Wales, Sydney
New Talent Exhibition, Forum Gallery, New York
Faculty Art Exhibit, Fairleigh Dickinson University, Rutherford, New Jersey
1972
Paintings on Paper, Bard College, Annandale-on-Hudson, New York

Selected Public Collections
Australia
National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
Art Gallery of Western Australia, Perth
National Gallery of Victoria, Melbourne
Queensland Art Gallery, Brisbane
Museum of Contemporary Art, Sydney
Heide Museum of Modern Art, Melbourne
The Ian Potter Museum of Art, University of Melbourne
University of Queensland Art Museum, Brisbane
TarraWarra Museum of Art, Tarrawarra, Victoria
Brisbane City Gallery, Brisbane
Queensland University of Technology Art Museum, Brisbane
University of New South Wales, Sydney
Artbank, Sydney
Wesfarmers, Perth
Hyatt Hotels, Melbourne
The Macquarie Group Collection, Melbourne
Parliament House Art Collection, Canberra
National Bank of Australia, Melbourne
Westpac Bank, Sydney and New York
Europe
Albertina Museum, Vienna
Galerie Neue Meister, Staatliche Kunstsammlungen Dresden
Kunstsammlungen und Museen Stadt Augsburg, Germany
Kunstmuseum, Bonn
Museum Kurhaus Kleve, Kleve, Germany
Museum of Modern Art, Liege, Belgium
Saarland Museum, Saarbrϋcken, Germany
Städtische Galerie Villa Zanders, Bergisch Gladbach, Germany
Städthaus Klagenfurt, Klagenfurt, Austria
United States
The Museum of Modern Art, New York
The Solomon R. Guggenheim Museum, New York
Corcoran Gallery of Art, Washington, DC
Museum of Contemporary Art, Chicago
Milwaukee Art Museum, Wisconsin
Arizona State University Art Museum, Tempe
Cleveland Center for Contemporary Art, Cleveland
MIT, Whitehead Institute, Boston
Department of State, Washington, DC
Spencer Museum, University of Kansas, Lawrence, Kansas
University of Arizona Art Museum, Tuscon, Arizona
Embassy of Australia, Washington, DC
General Mills, Minneapolis
Amerada Hess, New York
American Can Company/Primerica, Greenwich
British Petroleum, Cleveland
Champion International Corporation, Stamford
J.P. Morgan/Chase Art Collection, New York
U.S. Bank, Minneapolis
First National Bank, Seattle
Merrill Lynch, New York
Owens/Corning Glass, Toledo, Ohio
Shearson Lehman Brothers, New York
Sony Corporation, New York

Selected Bibliography
Publications (books and other writings) by Denise Green
“Letter from New York.” Art Monthly Australia, No. 201 (July 2007): 17-20.
“New York New York.” Art Monthly Australia, No. 196 (December 2006 - February 2007): 43-44.
Metonymy in Contemporary Art: A New Paradigm. Minneapolis: University of Minnesota Press,
2006. Melbourne: Macmillan Art Publishers, 2005.
“Affinities with Joseph Beuys.” Saarbrücken: Saarland Museum, 2003.
“Viewing Walter Benjamin from a Globalist Perspective.” Graduate Journal of Contemporary Art
Criticism (Pennsylvania Academy of Fine Arts), Vol. 1, Issue 5 (December 2002): 6-9
“Images in Paint.” State of the Art 2001. Parkland Art Gallery, Champaign, IL, 2001.
“Contemporary Art and the Renaissance.” Projekt: Festschrift Konrad Oberhuber. Vienna:
Graphische Sammlung Albertina, 2000: 32-33.
“Works on Paper, 1972-1999.” New London: Cummings Art Center, Connecticut College, 2000.
“Erasing in Colour.” Sydney: Sherman Galleries, 1999.
“Map of Groote Eylandt.” Art & Australia, Vol. 35, No. 2 (1998): 200.
“Rediscovering the Fan Shape.” Q: A Journal of Art (Cornell University) (April 1997): 24-25.
“Painting Post-Greenberg.” Art Monthly Australia (March 1996): 20-23.
“Painterly Thought.” Berlin: Raab Galerie, 1994.
“Painterly Thought and the Unconscious.” Art Press (February 1994): E.1-E5 & 20-24.
“Denise Green-1992.” Sydney: Roslyn Oxley9 Gallery, 1992.
“Exposition Belgique.” Art Press (January 1981): 34.
“Images in Print: 20 Recent Drawings.” Brisbane: Institute of Modern Art, 1976.
“In the Galleries and Museums” Arts (columns appearing in Summer 1971, Nov. 1971, Feb. 1972,
March 1972, April 1972, May 1972, Dec/Jan 1972 issues) (under name of Denise Wolmer).
Newspaper/journal articles and reviews, essays in exhibition catalogues
2010 Bourland, Ian, “Critic’s Picks: Denise Green, Sundaram Tagore Gallery”, Artforum, 2010
2009 Burke, Janine, Denise Green in conversation with Dr. Janine Burke, TARRAWARRA
MUSEUM (ex. cat.), May
Ross, Susan, Denise Green: Evanescence, ArtInfo.com.au, May
“Artnotes: VIC”, Art Monthly Australia, May, issue 219.
2008 Bond, Tony., “Denise Green: Then and Now”, Art & Australia, vol.46, no.1, Spring: 146
Periz, Ingrid. “Denise Green: Then and Now.” Liverpool Street Gallery (Sydney) (exh.
cat.)
Fine, Ruth, The Dorothy and Herbert Vogel Collection: fifty works for fifty states [editor,
Don Ball], NATIONAL ENDOWMENT FOR THE ARTS, Washington D.C. (exh. cat.) p.
201.
"Out West," by Snell, Ted and John Stringer. JOHN CURTIN GALLERY, Perth,
November 2008. Perth (exh. cat.).
2007 Finch, Richard D. and Veda M. Rives, Eds. “Marks from the Matrix-Normal Editions
Workshop Collaborative Limited Edition Prints 1976-2006.” Normal Editions Workshop,
Illinois State University: 6, 36.
“New catalogs,” ART (Hamburg) (April): 136.
Kühn, Thomas W. “Denise Green ‘Magischer Tausch.’” Kunstforum (online) (July).
Periz, Ingrid. “Australian artists in the United States of America.” Art & Australia, Vol. 44,
No. 4: 600-605.
Morgan, Robert C. “Drawn to Roses: Talking to artist Denise Green.” Meanjin, Vol. 66,
No. 2: 125-132.
“Metonymy in Contemporary Art: A New Paradigm.” Reference & Research Book News
(May).
Zabel, Barbara. “A New Paradigm: The Art of Denise Green.” World Literature Today
(May): 50-56.
2006 “Embracing New York, Australia and the World.” Australia E-Notes Newsletter, Australian
Consulate General, New York (June).
Dirksen, Jens. “Meine Vase, mein Zelt, mein Hund” (My vase, my tent, my dog). NRZ
(June 24): NKU1.
Grass, Matthias. “Rosen der Vergänglichkeit” (Roses of Transience). Rheinische Post
(May 27): B6.
Grass, Matthias. “Von Coyoten und Hasen” (Of Coyotes and Rabbits). Rheinische Post
(July 8): B5.
Gronewald, Claudia. “Eine Rose ist eine Rose ist eine . . .” (A Rose is a Rose is a ...).
NRZ (July 8): NKL04.
Haynes, Janet. “Shades of Green.” Australian Art Review (November): 30-31.
Henseler, Annette. “Denise Greens gesammelte Weltenbilder.” Klever Wochenblatt
(July 5).
Hübner, Klaus. “Der Vase in die Falle getappt” (Entrapped by a Vase). Neue Rhein
Zeitung (May 27): NKL04.
“Im Spannungsfeld der Kulturen.” Kultur Kanal (Munich), No. 8 (August): 44.
Meister, Helga. “Die Farbe der alten und der neuen Welt” (The colour of the old and
the new world). K. West (July/August): 16, 17.
Moenig, Roland and Drs. Guido de Werd. “Retrospective.” Museum Kurhaus Kleve
and Kerber Verlag Bielefeld, Germany (exh. cat.).
Moenig, Roland, Valentina Vlasic and Guido de Werd. “Denise Green 28.5. - 3.9. 2006.”
Museum Reporter (Kleve), No. 9 (December): 8, 11.
Morgan, Robert C. “Denise Green ‘Metonymy in Contemporary Art: A New Paradigm.’
Museum Kurhaus in Kleve, Germany.” Brooklyn Rail (October): 28.
“Museum Kurhaus Kleve.” Niederrhein Zeitung (January 5).
“Auftauchen und wieder verschwinden.” NRZ (Aug. 11): NKL04.
“Museum Kurhaus Kleve zeigt Schau zu Denise Green” (Museum Kurhaus Kleve
presents an exhibition of Denise Green). Rheinische Post (May 27).
Sever, Nancy and Katrina Rumley. “Sixth Drawing Biennale.” Drill Hall Gallery Australian
National University (Canberra) (exh. cat.)
Steenbergen, Dorine. “In pijn huist vaak schoonheid óók in 11/9.” De Gelderlander
(June 27).
Stretton, Andrea. ‘“Metonymy in Contemporary Art: A New Paradigm,’” Art & Australia,
Vol. 44, No. 2: 292.
Sykes, Jill. “Writings of an Artist: Looking at art from the inside.” Look (Art Gallery of New
South Wales) (February): 30.
Wirth, Heidrun. “Klare Formen für das Leid im September” (Clear forms for the
suffering of September). Kolnische Rundschau (June 15): 30.
2005 “Art Galleries Schubert.” Antiques & Art in Queensland (July-November): 9.
“Profile of a prolific painter.” Gold Coast Weekender (June 25-26): 18.
McDonald, John. “Clever as a painter.” Sydney Morning Herald (August 6-7): 28.
Sorensen, Rosemary. “Promise beyond portraits in Mayne Variety show.” Courier Mail
(Brisbane) (July 27).
2004 Alt, Gerhard. “Ein Nebeneinander der Weltgefuges.” Saarbrücker Zeitung (Dillingen)
(November 29): NR278.
Billharz, Bettina. “Ausstellung der Kunstlerin Denise Green in der Galerie Marlies
Hanstein.” Saarbrücker Zeitung (October 15).
Stringer, John. “Denise Green Re-Witnessing 2001.” Bulletin for Kerry Stokes Collection
(April).
“Gemalde und zerbrechliche Hullen.” Wochenspiegel Dillingen (December): 15.
2003 Ingram, Terry. “Gallery Goes White as New York Snow.” Australian Financial Review
(February 19).
Janssen, Johannes. “Verwandtschaften mit Joseph Beuys – vor and nach de 11.
September.” Zeitrisse (Saarbrücken), No. 3: 7.
JJ, “11. September und Joseph Beuys.” Wochenspiegel Saarbrücken (September 10): 1.
Makin, Jeff. “Denise Green.” The Herald Sun (August 4).
Oberhuber, Dr. Konrad and Ernest W. Uthemann. “Denise Green Affinities with Joseph
Beuys Before and After September 11: A Retrospective.” Saarland Museum (exh. cat.).
red, “Denise Green – Verwandtschaft mit Joseph Beuys.” Kakadu (Saarbrücken): 39-40.
“11. September.” Saarbrücker Zeitung (September 5): B2.
Schleuning, Johannes. “Traumzeit oder: Wo Beuys auf die Aborigines trifft.” Saarbrücker
Zeitung (September 8).
2002 Graf, Sabine. “Denise Green und der 11. September.” Laboratorium, Institut für aktuelle
Kunst im Saarland (Mitteilungen): 7.
Stamm, Jutta. “Aufarbeitung entlaster.” Saarbrücker Zeitung (June 5): 127.
2001 Anderson, Peter. “Homecoming.” The Courier Mail (January 25): 35.
Bell, Tiffany. “Denise Green’s Language and Intuition.” Art Gallery of New South Wales
and Brisbane City Gallery (exh. cat.).
Fortescue, Elizabeth. “Reflections on the artist’s life.” Daily Telegraph (Sydney) (April 6):
112.
Hirtenfelder, Dr. Erwin. “Schwebende Behaltnisse.” Kleine Zeitung (Klagenfurt) (May 10).
I.W., “Kommunikation der Kulturer.” Klagenfurt (May 10).
Kirker, Anne. “Denise Green Breaking Out of the Square (interview).” Eyeline
(Autumn/Winter): 36-39.
Krum, Sharon. “A Broad Canvas.” Qantas The Australian Way (April): 104-108.
Martin-Chew, Louise. “Return of Prodigal Daughter.” Weekend Australian Review
(February 3-4): 20-21.
Murray Cree, Laura. “Resonating: Denise Green -- A synergy of form and feeling.” Art &
Australia, Vol. 39, No. 2 (December): 224-226.
“State of the Art 2001 International Biennale Watercolour Invitational.” Parkland Art
Gallery (Champaign, Ill.) (exh. brochure).
“Denise Green in der Stadtgalerie.” Rosentaler Kurier (June): 29.
Stank, Frieda. “Ein Zeichen-Gemurmel.” Kronen Zeitung (Klagenfurt) (June 7).
Steiner, Bertram Karl. “Geheimnis des Klassizismus.” Kaerntner Tages Zeitung (May 17).
Szelekes, Blanka. “Resonating: Denise Green.” Look (Budapest) (March 1-7).
von Krainer, Gerda. “Kunst Beltrac.” Kartner Woche (June 7-12).
Widdicombe, Ben. “Homecoming Green.” Australian Art Collector #15 (January-March).
2000 Albinson, Grace. “Two New Exhibitions Open: Artist Denise Green’s Work.” College
Voice (New London, CT) (February 4).
Armstrong, Fiona. “Renowned Australian artist returning to her origins.” Queensland
Independent (October): 10.
Barclay, Alison. “Spirited journey.” Herald Sun (August 30): 59.
“Denise Green: Resonating.” Connecticut College Source Newsletter (January 10): 2.
Hopkins, Dawn. “Modern American Art Visits Lyman Allyn.” College Voice
(February 4).
Kardasz, Magdalena. “Denise Green 13 May –15 June 2000.” Zacheta Newsletter
(Warsaw) (January-June).
Kowalska, Agnieszka. “Energia Koloru.” Gazeta Wyborcza (Warsaw) (May 13-14).
Moore, Milton. “Abstract Explosion.” The Day (New London, CT) (February 4).
“Denise Green at the Zacheta.” Spotkania z Warszawa (Warsaw) (June).
“Lyman Allyn offers a key New Imagist.” The Day (New London, CT) (January 6): 8.
Timms, Peter. “Writings on the wall.” The Age (August 30).
1999 “Denise Green.” A Jour Klip (Copenhagen) (October 28).
“Denise Green: Resonating.” Antiques and the Arts Weekly (December 24): 25.
Bell, Tiffany. “Denise Green.” Art in America (October): 138-141.
Brennan, Betsy. “Masterpieces.” Vogue Entertaining & Travel (February): 93-97.
“Denise Green.” Berlingske Tidende (Copenhagen) (October 22).
“Provokerende vaerker.” Borsen (October 12).
Genocchio, Benjamin. “Singular vision of an exile.” The Australian (March 5).
“Amerikanske vaerker pa papir I Galerie Asbaek.” Morgenavisen Jylands-Posten
(Copenhagen) (October 12).
“Down Under wares.” Phoenix New Times, Vol. 30, No. 34 (August 28-September 1).
Pringle, Jennifer. “Museum highlights work of Australian.” ASU Insight (Aug. 27): 8.
“Retrospective.” New York Magazine (May 3): 147.
Rumley, Katrina. “Returning to the Center.” Art & Australia 36, No. 4: 538-541.
Sefelt, Minell. “An artist’s search for that still, small voice.” Sonoran News, Art Walk
(Sept. 8-14).
Stuart, Christine. “Metonymic State of Mind.” Hartford Advocate (December 16).
“Embassy given a touch of Green.” Sun Herald (December).
Weaver, Cynthia P. “‘Resonating’ creates sense of peace.” State Press (Tempe, AZ)
(September 15): 10.
Widdicombe, Ben. “Any Colour If It’s Green.” Australian Weekend Review
(March 6).
Zeitlin, Marilyn. “A Conversation with Denise Green” (brochure), Arizona State
University Art Museum (Tempe) (August).
1998 “The Big Apple to Down Under.” Midwest Times (Geraldton) (November 4): 17.
O’Neill, Peter and Katrina Rumley. “Denise Green: Works on Paper 1972-1998.”
Wollongong City Gallery (exh. cat.).
Rumley, Katrina. “Denise Green Bridging Oceans Traversing Cultures” (monograph).
Sydney: Craftsman House.
Zalunardo, Paul and Shady Cosgrove. “Traveller Denise Green Brings World Back
Home.” Illwarra Mercury (Wollongong) (April 4): 7.
Widdicombe, Ben. “They Love NY!” Australian Art Collector #6 (October- December): 21.
1995 Boucard, Regine S., Vasia Deliyianni and Alicia Hetzner. “A Woman's View.” World
Bank (Washington, DC): 9 (exh. cat.).
“World Bank exhibit.” The Wall Street Journal, Work Week col. (November 7): 1.
1994 Ashton, Helen. “Australian art purchased by Guggenheim Museum.” Churinga (New
York) Vol. 4. No. 1 (January): 1.
Turner, Elise. “Work Shows Artist's Mood, Style Changes.” Miami Herald (May 25).
Trioli, Virginia. “Green Deeply Colours a Spiritual Canvas.” The Age (July 27).
1993 Timms, Peter. “The Black Show,” Geelong Art Gallery (exh. cat.).
1992 France, Christine. “Black and White Studies in Green reveal an inner discourse.”
Australian Weekend Review (October 10-11).
Rumley, Katrina. “Integrating Art On Campus.” University of New South Wales: 13
(exh. cat.).
Williams, Antonia. “Arts Agenda.” Vogue Living (October/November): 155.
1991 Banks, Ron. “New York Frame of Mind.” West Australian (May 14): 44.
Bromfeld, David. “Magnum’s startling moments in time.” West Australian (May 11).
Maloon, Terence. “Contemporary Australian Painting.” [book] Sydney: Craftsman
House: 52, 81.
Le Masurier, Megan. “Insight.” Elle (Sydney) (May): 62.
Stringer, John. “Denise Green in Perth.” Delaney Galleries (Perth) (May) (exh. cat.).
“Australian expatriate Denise Green.” Vogue Living (May): 159.
1990 Eather, Michael and Marlene Hall. “Balance 1990: View, Visions, Influences.”
Queensland Art Gallery (exh. cat.).
Snell, Ted. “Insights into the Artist's Intentions.” The Australian (January 3): 9.
1989 Brennan, Betsy. “An Australian Painter's Perspective: New York Abstractions.” Vogue
Living, Vol. XXIII, No. 9, whole No. 146 (November): 16.
Carroll, James. “Ideas from Individual Impressions and Marks.” Lehigh University
Art Galleries (November): 10.
Lynn, Elwyn. “Sidestreams of Diversity.” Weekend Australian (December 2-3).
1988 Bellamy, Louise. “Denise Green Creates Her Own Language.” The Age (May 31).
Cohen, Ronny. “Nature in Art: A curator’s notes.” Contemporary Art at One Penn Plaza
(exh. brochure).
Grundberg, Andy. “The Joys of Summer for Artists.” International Herald Tribune (July 8):
7.
Grundberg, Andy. “The Artists of Summer: A Time for Risk Without Anxiety.” New York
Times (July 3): 1, 22.
Lindsay, Frances. “Denise Green 1980-1988.” University Gallery, University of
Melbourne (May) (exh. cat.).
Loughery, John. “17 Years at the Barn” (under “Arts Reviews”). Arts (New York).
Rooney, Robert. “A Climb to Anti-climax.” Weekend Australian (May 28-29).
Thompson, Walter. “Denise Green at Althea Viafora.” Art in America (December):
159-160.
“Denise Green, ‘Delhi Morn, Love Song, Olive Park, Rocca Barbara.” Print
Collector’s Newsletter: 62.
1987 Adams, Bruce. “Chaos, Riddles and Intrigue.” Sydney Morning Herald (February 6).
Ambalal, Amit. “Denise Green.” Contemporary Art Gallery (Ahmedabad) (exh.
brochure).
Cotton, Judy. “Australians overseas: off-shore successes: Denise Green.” Australian
Vogue (September): 258.
Lynn, Elwyn. “Ecstasy amid the muddle.” Weekend Australian (February): 14-15.
McDonald, John. “Even art ripens in the sun.” Sydney Morning Herald (July 8).
Shah, Shanti. “Denise Green at the Contemporary Art Gallery Ahmedabad.” Gujarat
Samacher (November 22): 2.
Smith, Roberta. “A Painting Landmark in Retrospect: Revisiting the New Image
Painters of the 70's.” New York Times (August 2): Section 2: 1, 29.
Smith, Roberta. “Art: Exxon Show at the Guggenheim.” New York Times (September 4).
Sourgnes, Michel. “Painters and Sculptors.” Queensland Art Gallery: 24 (exh. cat.).
Woolcock, Phyllis. “King-size show for Brisbane and Japan.” Courier Mail
(June 20).
1986 Bell, Tiffany. “Denise Green.” Arts (April): 141.
Bond, Anthony. “Surface for Reflection.” Art Gallery of New South Wales (exh. cat.).
Bredow, Susan. “How patrons help Denise Green in an abstract world.” The
Australian (July 25): 10.
Freeman, Peter. “From Icon to Symbol: Imagery in American Art: 1973-1979.” Blum
Helman Warehouse (New York) (exh. cat.).
Gillemon, Daniele. “Denise Green, Energy Itself.” Le Soir (May 9).
Gott, Ted. “Backlash: The Australian Drawing Revival 1976-1986.” National Gallery of
Victoria (exh. cat.).
Grimes, Nancy. “New York Reviews.” Art News (April): 135.
Henry, Gerrit. “Denise Green at Althea Viafora and M-13.” Art in America (July).
“Denise Green, les signes et les symbols.” Libre Belgique (May).
Lorent, Claude. “Art Bruxelles et Environs.” Arts, Antiques and Auctions (April): 40.
Lynn, Elwyn. “Even fearsome creatures quit or . . .” The Australian (July 26).
Madoff, Stephen Henry. “NY.” Nike, No. 12 (March/April): 16-17.
Minne, Florent. “Denise Green schildert energie en geometrie.” De Standaard
(Brussels) (May 13).
McDonald, John. “Artistic Stayers Show Their Wares.” Sydney Morning Herald
(December 9): 51.
Smith, Roberta. “Art: In the Mid-70's, Exploring the Image.” New York Times
(December 12): C26.
Tuchman, Phyllis. “‘70's Imagery Tells How We Got to Where We Are Today.”
Newsday (December 14): 19
Waldman. Diane. “Emerging Artists 1978-1986, Selections from the Exxon Series.”
Solomon R. Guggenheim Museum (exh. cat.).
13
1985 (Illustration). Bomb, No. XI (Winter): 93.
Harrison, Helen A. “Treating the Canvas as an Object in its Own Right.” New York
Times (March 3): 16.
Hudspeth, Tom and William Zimmer. “Denise Green: Paintings and Drawings 1975-
1985.” Center for the Arts, Muhlenberg College (Allentown, Pa.) (exh. cat.).
Kennedy, Heather. “Green Taken in by the US” (interview), The Age (March 9): 9.
Lynn, Elwyn. “Different Roads to Modernism Mecca.” The Australian (March 28).
Maloon, Terence. “Splashes of Radiance to Seduce the Eye.” Sydney Morning Herald
(March 23): 44.
Maulfair, Jane. “Exhibition Spans 10 Years of Artist's Work.” Allentown Morning Call (May
9).
Murphy, Sean. “Abstract Art and the Public.” The Pioneer (Long Island) (February 20):
20, 21.
Wallach, Amei. “Abstract Power.” Newsday (February 22).
Zimmer, William. “Abstract Painting as Surface and Object.” Hillwood Art Gallery,
Long Island University (February-March) (exh. cat.).
1984 Donohue, Victoria. “Is abstract painting regaining its popularity?” Philadelphia Inquirer
(Sept. 14): 34.
Glueck, Grace. “Art: Interventions on US Latin Role.” New York Times (Feb. 3): C23.
“Content, A Contemporary Focus.” Hirshhorn Museum and Sculpture Garden 1974-84
(exh. cat.).
Rayner, Virginia. “Natives go abroad.” Vogue Living Australia (November): 144-146.
Schoffeniels, E. “Exposition: Denise Green.” Musée d'Art Moderne (Liege) (Nov. 10).
Reed, David. “Drawing with Respect to Painting.” New York Studio School (exh. cat.).
van Reeth, Claude. “Denise Green.” Ville de Liege Musee d’Art Moderne (Liege) (Nov.
10).
1983 Maloon, Terence. “A New Exhibition in the Key of 'Ah'.” Sydney Morning Herald (July).
Paisio, Franco. “Denise Green” (interview). Aspect, Art and Literature (Sydney) (Spring):
3-7.
“Denise Green, ‘Circle Invaded by a Square.’” Print Collector’s Newsletter (January-
February): 218.
Stringer, John. “Taste, Place and Transition.” College of Advanced Education (Sydney)
(exh. cat.).
1982 Braff, Phyllis. “From the Studio.” East Hampton Star (June 17).
Cross, Elizabeth. National Times (August 15-21).
Donohue, Victoria. “Art.” Philadelphia Inquirer (November 26): 38.
“Artists from the Edward F. Albee Foundation.” Guild Hall Museum (East Hampton, NY)
(exh. cat.): 12.
Frank, Peter. “Review.” Art News (January): 159.
Hawker, Philippa. “Rothko a Good Omen for Denise Green.” The Age (August 18).
Lindsay, Robert. “The Seventies.” National Australia Bank Collection (exh. cat.).
Murphy, Bernice. “Axiom Gallery.” (Melbourne) (exh. brochure).
Onorato, Ronald J. “Brown Invitational.” Bell Gallery, List Art Center, Brown University
(exh. cat.).
Oresman, Janice, ed. “Lehman Brothers Kuhn Loeb Inc. Art Collection.” (New York) (exh.
cat.).
Pozzi, Lucio. “Selections: Denise Green and Gary Stephan.” Ben Shahn Center for Visual
Arts, William Paterson College (exh. cat.).
Rickey, Carrie. “Why Women Don’t Express Themselves.” Village Voice (Nov. 2): 1, 79.
Simpson, Jeffrey. “Bold Concept.” Architectural Digest (August): 100-105.
14
Sturgeon Graeme. “Perspecta 81.” Art & Australia: 335.
1981 “Australia Perspecta 1981.” Art Gallery of New South Wales (exh. cat.): 37-40.
“Expositions Belgique: Galerie Albert Baronian.” Art Press, No. 44 (January): 34.
Champagne, Lenora. “Women in Cages and Male Men.” Live, No. 6: 55-57.
Henry, Gerrit. “New York Reviews.” Art News (March): 220.
Hunter, Sam. “Introduction to New Directions.” Commodities Corporation Collection
(Princeton, NJ) (exh. cat.): 11, 20, 44, 115.
“Painting and Sculpture Today.” Indianapolis Museum of Art (exh. cat.).
Murphy, Bernice. “Flash Art – Australia.” Flash Art (January-February): 60-61.
Murphy, Bernice. “3 Years On. A Selection of Acquisitions 1978-1981.” Art Gallery of New
South Wales (exh. cat.): 38.
“A Range of Contemporary Drawings.” Sordoni Art Gallery, Wilkes College (Wilkes-Barre,
PA) (exh. cat.).
Wilson, Judith. “Review.” Art in America (February): 148-149.
Zimmer, William. “Another Green World.” Soho Weekly News (October 14): 65.
Zimmer, William and Cynthia Nadelman. “Why Foreign Artists Call It Home.” Art News
(November): 101-105.
Zeitlin, Marilyn. “Ellipses.” Anderson Gallery, Virginia Commonwealth University (exh.
cat.).
1980 Borlase, Nancy. “Atomic Structure, Firmly Formed.” Sydney Morning Herald (September
27): 19.
Foley, Benjamin. “Energy Emerges in Stone.” Washington Star (February 17): E2-3.
King, Mary. “Denise Green's Art Becomes More Abstract.” St. Louis Post Dispatch
(November 28): F4.
Knaepen, Jos. Buletin (Brussels) (October 24).
Lewis, Jo Ann. “The Light Brigade of American Art.” Washington Post (February 9): C1.
Murphy, Bernice. “Denise Green Project 32.” Art Gallery of New South Wales (exh. cat.).
Rickey, Carrie. “Heresies Benefit.” Village Voice (September 22).
Rubin, Michael G. “Denise Green's Artwork at Gallery.” St. Louis Globe Democrat
(November 29-30): F4.
1979 Ashbery, John. “Climbing the Wallpaper.” New York Magazine (January 29): 103-104.
Frank, Peter. “Where is New York?” Art News (November): 58-65.
Frank, Peter. “Gifts of the Imagi.” Village Voice (January 8).
Lynn, Elwyn. “Denise Green.” Art International (September): 50-53.
Perrone, Jeff. “Reviews.” Artforum (March): 62-63.
Perreault, John. “Whitney Turkey.” Soho Weekly News (January 4).
Salle, David. “New Image Painting.” Flash Art (March-April): 40, 41.
Zimmer, William. “Group Show Max Protetch Gallery.” Soho Weekly News (September
13).
1978 Ashbery, John. “Trashing the Sixties.” New York Magazine (May 29): 64-65.
Borlase, Nancy. “Reviews Art.” Sydney Morning Herald (June 24).
Downs, Matthews. “America’s Young Artists.” Exxon USA, Third Quarter, Vol. XVII, No. 3:
8-13.
McGrath, Sandra. “A tough intellectual stringency.” Australian Weekend Magazine
(June 17-18).
Marshall, Richard. “New Image Painting.” Whitney Museum of American Art (exh. cat.).
Raynor, Vivien. “Art: What’s New, Whitney Style.” New York Times (December 8).
Shearer, Linda. “Young American Artists.” Solomon R. Guggenheim Museum (exh. cat.).
Zimmer, William. “Richard Marshall: New Interest in Images.” Soho Weekly News
(September 29): 54, 62.
15
1977 Bell, Pamela. “The words get in the way of the pictures.” Courier Mail (September).
Langer, Gertrude. “Desert Art.” Courier Mail (Sept. 3).
Perreault, John. “Painting Is As Painting Does: 41 Painters at P.S. 1.” Soho Weekly News
(May 12): 20.
1976 Boice, Bruce. “Arts Reviews.” Arts (New York) (December): 39-40.
da Vinci, Mona. “Reviews: New York.” Art News (December): 126.
Day Benson, Philippa. “Colour, Light and Image Come to New York.” Australian Women’s
Weekly (February 11).
“Artist Green in lecture-slide presentation.” Pantagraph (Normal, IL) (November 14): C-
15.
Perreault, John. “Women Ain’t Losers.” Soho Weekly News (September 23): 26.
Salle, David. Arts (December): 39-40.
“Artist plans lecture-slide presentation.” Vidette (Normal, IL) (November 15).
1975 “Views in paint from a loft.” Courier Mail (July 21): 10.
Faerber, Ruth. “3D in motion at the Sculpture Center.” Sydney Morning Herald (July).
Langer, Gertrude. “Stimulating two showings.” Courier Mail (July).
Lauterbach, Ann. “Denise Green at the Art Resources Center of the Whitney Museum.”
Art in America (November-December): 107.
Mignacca, Eneide. “Rectangular Facades of Modern Mythology.” Nation Review (July):
1013.
McGrath, Sandra. “Is there a female aesthetic?” The Australian (July 2): 18.
Pidgeon, W.E. Sydney Sunday Telegraph (July 6).
Thomas, Daniel. “A selection from Australian women artists of the past.” Sydney Morning
Herald (July 10): 7.
“Inaugural Group Exhibition: Holly Solomon Gallery.” Village Voice.
1974 Alloway, Lawrence. “Art.” The Nation (June 29): 830.
Perreault, John. “A Smattering of New Talent.” Village Voice (June 20): 40.
Dyer, Ruth. “Contemporary Reflections at Aldrich Features Abstract, Realist, Ritual.”
Wilton Bulletin/Ridgefield Press/Redding Pilot (April 17, 18): 14.
1973 Frank, Peter. Art News (December): 89.
Gilbert Rolfe. Jeremy. Artforum (December): 88-89.
Stitelman, Paul. Arts (December): 60.

 

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